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Form Drawing

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Form drawing is the freehand drawing of non-representational forms such as rhythmically repeated patterns, reflections, geometric figures and interlaced designs. It was introduced by Rudolf Steiner in 1919. This unique element of Waldorf education is taught in Grades 1 to 5.

In childhood, we learn best when we learn unconsciously. To make the process work on the unconscious level, the children could be asked to walk the form, trace it in the air or sand using their arms or feet, draw it using water on the blackboard, or manipulate wire or wool to create the form in real life before actually drawing the forms. The idea is for the students to feel the forms in their body before using the fine motor skills to put them on paper.

Different forms are used for different classes according to the stage of childhood development. In first grade, form drawing begins with the straight line and the curve. Other forms are based on these basic forms. In fourth grade, students draw interlaced forms with a three-dimensional effect. These include Celtic knots which tie into the studies of Norse mythology.

The educational value of the forms lies in the process behind the drawing and not in the drawing itself. Form drawings can affect the feelings of children. By way of illustration, angular forms are considered to have an awakening tendency and curved forms to have unconscious forces which produce a relaxing effect.

Form drawing nurtures a sense for beauty, harmony, and proportion. It also develops technical skills and accurate observations. Taken together, form drawing helps the student enjoy a stronger will and flexibility to adapt to changing situations.

Bibliography: Gebert, Rosemary. “Form Drawing.” Child and Man, Volume 21, 1987. Online at www.rsarchive.org

Roma Amor – A Roman Comedy

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Last Friday the children in the 3rd, 4th, 5th and 6th grades presented the play, Roma Amor: A Roman Comedy. Over 100 people were in attendance for what was Escuela Caracol’s first full night theater performance. It was an exciting experience using our homemade light system in our large palm dome.

The play was written by Eugene Schwartz for the sixth grade (when Waldorf students study Roman history), and the fifth and sixth graders took the lead parts, while the third and fourth graders played supporting roles and helped with scene changes.The fifth and sixth graders have been preparing for over a month memorizing their lines, studying their characters, preparing their costumes, blocking scenes, and the third and fourth graders began helping in the last weeks. The performance truly benefited from all of their hard work and dedication. Thanks to everyone who came out to support them!

Chalkboard Drawings

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If you walk into any Waldorf classroom in the grades, one of the first things to strike you is probably the chalkboard drawing. Chalkboard art has become a time-honored tradition in Waldorf schools. It is how the teacher brings to imaginative life the content of the lessons. In a day when dry erase wipe boards (and their fumes) have taken over, Waldorf schools remain a sort of classic throwback to the days of chalk and slate. Dry erase boards, however, simply do not lend themselves to the artistic sensibility and emotional range that bright colored chalk can bring to a classroom.

It is also an important part of how the teacher’s own artistic activity — his or her own development and activity — relates both directly and invisibly to the child. Children experience great anticipation of the teacher’s next awe-inspiring image, which they later have a chance to recreate in their own books, in their own way. The images connect to the curriculum content and take the child deeper into the experience, through his or her feelings.

Here you can see a few of our teacher’s recent chalkboard drawings at Escuela Caracol. We cannot get slate chalkboards here, so we have to make our own using plywood and homemade chalkboard paint. Sometimes the grain of the wood is a challenge for the teacher, but the overall experience in the classroom is worth it.

 

You can also see the video of one of the most famous Waldorf Teacher Brian Wolfe in action With Some chalk.

Escuela Caracol in the newspaper “Prensa Libre”

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The national newspaper Prensa Libre recently published an article about Escuela Caracol and our pedagogic method.

We reproduce the text below. You can also read the entire article here.

Escuela utiliza sistema pedagógico Waldorf

Helen Estrella Celeste Porón Cuc, de 8 años, sale temprano de su casa, en San Pablo La Laguna, Sololá, para ir a la escuela Caracol, donde cursa segundo primaria. Camina hacia el establecimiento, a un kilómetro de su vivienda, en San Marcos La Laguna. Como las clases empiezan a las 8 horas, la niña toma mototaxi si va retrasada, ya que no le gusta faltar ni llegar tarde.

En la escuela Caracol, Celeste Porón comparte clases con 48 niños de comunidades de varios municipios de Sololá, que hablan kaqchikel, tz’utujil o k’iche’, y con hijos de extranjeros de Estados Unidos, Francia, Alemania, España y otros países de Europa que radican en Sololá.

La pluriculturalidad que se vive en la escuela Caracol no es su única peculiaridad, algo que la distingue del resto de establecimientos del país es también que es la única donde se práctica el sistema pedagógico Waldorf, que al contrario del sistema educativo tradicional, no es jerárquico, dirigista ni competitivo.

Sistema novedoso

El sistema Waldorf estimula la libertad, creatividad y el conocimiento desde una perspectiva integral y holística. Los niños relacionan lo aprendido con la propia experiencia, para lo que utilizan cabeza, corazón y manos.

El director de la escuela Caracol, el estadounidense Joshua Wilson, detalló que el sistema que utilizan es diferente: “Vivimos en una era de información. Todas las respuestas están a unos clics de distancia. Saber la respuesta correcta no es lo importante. La pregunta importante no es ¿qué sabes? Lo importante es ¿quién eres?”.

Wilson indicó que el sistema se enfoca en las preguntas: “¿Eres una persona que sabe manejar la información, cómo aplicarla de manera efectiva y responsable?”.

Según Wilson, otros cuestionamientos que deben responderse son: “¿Eres una persona con confianza en sí misma para manejar la vida con la voluntad de hacer algo, de producir algo? ¿Eres una persona que puede ver varios lados de un problema? ¿Una persona que puede seguir aprendiendo? ¿Eres una persona que se siente responsable al mundo, que cree en un mundo mejor, que puede imaginar un mundo mejor, y que se siente que puede tomar un papel en este mundo?”.

El maestro Erbin Samuel Quiacaín Sajvín contó que cada docente hace su propio currículum, y los niños elaboran sus propios libros, de acuerdo con la necesidad en el aula.

Las evaluaciones se llevan a cabo de manera técnica y con métodos de observación, para determinar el desarrollo del niño en su manera de expresión, aprendizaje, forma de actuar y relación con los demás.

La maestra Sandra Pérez, maestra cakchiquel, indicó que son ocho docentes y a los niños de primaria se les imparte danza, música, arte, jardinería, educación física, matemáticas y los idiomas inglés, español y kaqchikel.

Los alumnos locales son becados hasta en 97 por ciento, mientras que los extranjeros pagan colegiatura completa.

La administradora Mercedes Franco comentó que los padres de familia interactúan con sus hijos. “No solo vienen a inscribir a sus hijos, sino deben mantenerse cerca para participar en el desarrollo estudiantil”.

Manuel Tuch Sancoy, padre de familia, expuso que la educación que recibe su hijo es distinta a la que él recibió y tiene más enfoque en la naturaleza.

Trayectoria

Siete años  

La escuela Caracol está aprobada por el Ministerio de Educación y  es una de las más de 900 que   utilizan la pedagogía Waldorf   en 83 países, la cual   fue promovida por el austriaco Rudolf Steiner.

El director   Joshua Wilson  recuerda que la  escuela fue establecida en Guatemala en el 2007 por él y su esposa, Corina,  con el apoyo de  Nicolás Sacach Mendoza, albañil;  Amarilis Sancoy, cocinera, y Andrea Arrivillaga, quien este año se gradúa como la primera  maestra guatemalteca Waldorf. Para más información consultar el sitio www.escuelacaracol.org 

Learning about Maguey

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Children 5th and 6th grade learned about the process for obtaining maguey fibers. They learned that maguey fibers obtained by processing the leaves. The leaves were cut from the body of the plant and the spines removed. The leaves were then cooked in an oven to make then tender. Once they were cooked, the leaves were used as food or scraped over a pounding slab to obtain long threads to make ropes or to spin to weave textiles.

Dance Classes at La Cambalacha

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When we returned from our mid-year vacations in August, the students in the primary grades began having dance class once a week. The class takes place in the dance studio of La Cambalacha, our neighboring arts center. Gabriela Cordón, who has taught dance classes for Caracol in the past, is teaching the class. The movement work she does with the students is broad in scope (e.g., cross-lateral, balance, stretching, strengthening, coordination) and is both challenging and fun. Certain elements are even similar to eurythmical work, such as interweaving group movement.  In this photo you see the 3rd-6th grades in their class.

What is Waldorf Education?

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For the Waldorf student, music, dance, and theater, writing, literature, legends and myths are not simply subjects to be read about, ingested and tested. They are experienced. Through these experiences, Waldorf students cultivate a lifelong love of learning as well as the intellectual, emotional, physical and spiritual capacities to be individuals certain of their paths and to be of service to the world.

Developed by Rudolf Steiner in 1919, Waldorf Education is based on a profound understanding of human development that addresses the needs of the growing child. Waldorf teachers strive to transform education into an art that educates the whole child—the heart and the hands, as well as the head.

When you enter a Waldorf school, the first thing you may notice is the care given to the building. The walls are usually painted in lively colors and are adorned with student artwork. Evidence of student activity is everywhere to be found and every desk holds a uniquely created main lesson book.

Another first impression may be the enthusiasm and commitment of the teachers you meet. These teachers are interested in the students as individuals. They are interested in the questions:

  • How do we establish within each child his or her own high level of academic excellence?
  • How do we call forth enthusiasm for learning and work, a healthy self-awareness, interest and concern for fellow human beings, and a respect for the world?
  • How can we help pupils find meaning in their lives?

Teachers in Waldorf schools are dedicated to generating an inner enthusiasm for learning within every child. They achieve this in a variety of ways. Even seemingly dry and academic subjects are presented in a pictorial and dynamic manner. This eliminates the need for competitive testing, academic placement, and behavioristic rewards to motivate learning. It allows motivation to arise from within and helps engender the capacity for joyful lifelong learning.

The Waldorf curriculum is broad and comprehensive, structured to respond to the three developmental phases of childhood: from birth to approximately 6 or 7 years, from 7 to 14 years and from 14 to 18 years. Rudolf Steiner stressed to teachers that the best way to provide meaningful support for the child is to comprehend these phases fully and to bring “age appropriate” content to the children that nourishes healthy growth.

“When children relate what they learn to their own experience, they are interested and alive, and what they learn becomes their own. Waldorf schools are designed to foster this kind of learning.”
—Henry Barnes, a longtime Waldorf teacher and the former Chairman of the Board of AWSNA